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S.D.N.Y.Procedural orderFiled June 8, 2021

Hines v. EMI April Music Inc.

Judge
James Oetken
Docket
1:20-cv-03535
Court
U.S. District Court · Southern District of New York
Pages
7
Intellectual PropertyMotion to DismissCivil Procedure
In one sentence

In Hines v. W Chappell, Judge Oetken denied dismissal of Hines’s copyright-infringement claims over alleged use of his guitar riff.

Who this affects

The ruling allows Ernie Hines’s remaining copyright-infringement claims against BMG Rights Management (US) LLC, W Chappell Music Corporation, Jay-Z, and Timbaland to proceed past the motion-to-dismiss stage. The defendants must answer by June 29, 2021, and Hines was not required to post a bond for costs.

What happened

Ernie Hines sued BMG Rights Management (US) LLC, W Chappell Music Corporation, Jay-Z, and Timbaland, alleging that two hip-hop songs used part of a guitar riff from his song without permission. The songs were “Paper Chase” and “Toe 2 Toe.”

The defendants argued that Hines had not adequately identified copyright-protected material, explained how the riff was copied, or shown that the copying was significant enough to be infringement. The court found that his allegations and a musicologist’s report were sufficient to support the case at this stage, while noting that discovery or expert testimony might be needed to resolve the remaining similarity questions.

Judge J. Paul Oetken denied the defendants’ motion to dismiss and declined to require Hines to post a bond for costs. The defendants were directed to answer the complaint by June 29, 2021.

The detailed version

For law students, journalists, and other readers who want the full reasoning

Case
Hines v. EMI April Music Inc. · No. 1:20-cv-03535
Judge
James Oetken
Date
June 8, 2021

Background

Ernie Hines alleged that he co-authored and composed the 1960s soul song “Help Me Put Out The Flame (In My Heart),” which begins with a three-bar guitar riff. He alleged that the riff was used without permission in “Paper Chase,” performed by Jay-Z and composed and written by Jay-Z and Timbaland, and in “Toe 2 Toe,” composed by Timbaland. Hines sued BMG Rights Management (US) LLC, W Chappell Music Corporation, Jay-Z, and Timbaland for copyright infringement.

The opinion states that Hines first heard the two songs in 2018. The defendants moved to dismiss under Federal Rule of Civil Procedure 12(b)(6), which allows dismissal when a complaint does not state a legally sufficient claim. BMG initially separately argued that Count II, concerning alleged infringement involving “Paper Chase,” should be dismissed because BMG lacked ownership or other rights in that song. Hines voluntarily dismissed Count II, and BMG then relied on the other defendants’ motion.

The court’s analysis

To state a copyright-infringement claim, a plaintiff must allege a valid copyright, actual copying, and illegal copying shown by substantial similarity between the protectable parts of the works. The court explained that musical compositions may protect original combinations of notes, rhythm, and harmony, although individual notes and common rhythms generally are not protected.

The defendants first argued that Hines had not identified protectable musical content and that the riff was not original because it drew from the public-domain melody “Mysterioso Pizzicato.” The court rejected that argument at the pleading stage. It found that the alleged use of different pitches and rhythmic values supplied at least the small amount of creativity needed for originality, and that Hines had sufficiently alleged that the riff’s notes and rhythm were copied.

The defendants next argued that Hines had not explained how or where the riff appeared in the two songs. The court found that a report by musicologist Joe Bennett alleged that parts of the riff, including a five-note section and the final G-minor chord, repeated in both songs. The report stated that approximately 84 percent of “Paper Chase” contained audio samples of the riff and that part of the riff formed the guitar loop in “Toe 2 Toe.” The court held that these allegations supported an inference of copying and access to the recording.

The court did not decide whether the songs were substantially similar as a matter of law. It stated that the technical nature of the allegations made discovery or expert testimony potentially useful. The defendants also argued that the three-measure riff was too small a portion of Hines’s song to constitute infringement. The court treated this as a question of “fragmented literal similarity,” meaning whether copying a fragment involved a sufficiently important part of the original work. It held that discovery was necessary to assess the riff’s qualitative importance, so it declined to resolve that issue on the motion to dismiss.

Disposition

The court denied the defendants’ motion to dismiss. It directed the defendants to answer the complaint by June 29, 2021. The court also declined the defendants’ alternative request to require Hines to post a bond as security for costs, finding that a bond was not warranted. The opinion is a ruling on a Rule 12(b)(6) motion and therefore does not finally decide whether copyright infringement occurred.

The authoritative version

Read the full 7-page opinion on CourtListener, the free public archive maintained by the Free Law Project.

Open opinion PDF →
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